When a man loves a woman pdf

When a Man Loves a Woman” is a song written by Calvin Lewis and Andrew Wright and first recorded by Percy Sledge in 1966 at Norala Sound Studio in Sheffield, Alabama. Singer and actress Bette Midler when a man loves a woman pdf the song 14 years later and had a Top 40 hit with her version in 1980. In 1991, Michael Bolton recorded the song and his version peaked at number one on both the Billboard Hot 100 chart and the Billboard Adult Contemporary Singles chart.

The song was initially recorded by Percy Sledge at Rick Hall’s FAME Studios at Muscle Shoals, before being re-recorded at the nearby Norala Studios owned by Quin Ivy. Albert “Junior” Lowe, double bass and Roger Hawkins, drums. Andrew Wright and Calvin Lewis did not play on the record. Rick Hall arranged a distribution deal with Atlantic Records, but Jerry Wexler asked that the song be re-recorded because the horns were out of tune.

According to musician David Hood, “They went back in the studio and changed the horns, got different horn players to play on it. But then the tapes got mixed up and Atlantic put out their original version.

B singles charts, becoming the first number 1 hit recorded in Muscle Shoals. It is also one of seven number 1 hits to debut on the Billboard Hot 100 at number 100. The single was also a top ten hit in the UK reaching number four on its initial release and ultimately peaking at number two in 1987 on the UK Singles Chart after it was featured in a Levi’s Jeans commercial.

The Percy Sledge version is listed 53rd in Rolling Stone’s 500 Greatest Songs of All Time. Also in 1987, it was reissued in the US to promote the soundtrack album for Oliver Stone’s film Platoon. The precise authorship of the song has been disputed.

Calvin Lewis and Andrew Wright were members of the Esquires, a band in Sheffield, Alabama fronted by singer Percy Sledge. I was messing around on the organ when this riff came up out of nowhere. There was no one in the club but us. I told Calvin to go home and write some words.

The next night, they rehearsed the emerging song with Sledge, changed it around, and soon afterwards auditioned the song for local businessman and radio DJ Quin Ivy. He liked the song, but suggested that some of the words be changed to give a more positive message. Wright said that “we kept some of the phrases, worked on it for several weeks, and spent quite a bit of time in the studio. Although the writing of the song is credited to Lewis and Wright, Sledge later claimed that he should have received a co-writing credit.